Nacido en Villada (Palencia) en 1909 pero residente en Madrid hace medio siglo, Eduardo de Guzmán inicía muy joven sus actividades profesionales trabajando en diversos periódicos. En 1930 es nombrado redactor jefe del diario madrileño «La Tierra», cargo que desempeña durante cinco años. En 1935 pasa a «La Libertad» como editorialista y redactor político. En febrero de 1937 se le designa director del periódico matutino «Castilla Libre», órgano de la C.N T en la capital de España.
THE YEAR OF VICTORY is the second volume (in Spanish) of Eduardo de Guzmán’s riveting memoir, telling the story of Spain’s social revolution and Civil War, and the aftermath of the Francoist victory. It gives an unputdownable first-hand account of the tragic fate of defeated republican prisoners detained at the port of Alicante on 1 April 1939. Guzmán’s richly descriptive story of their gruelling three-month odyssey which took them, from Alicante, through the horrors of the Los Almendros and Albatera concentration camps, to their ultimate destination, a sinister Falangist building in Madrid’s Calle de Almargo. The book exposes the entire repressive apparatus of Francoist bloodlust in the aftermath of ‘victory’.
The author was editor of the Madrid-based Castilla Libre, the daily newspaper of the revolutionary workers’ union, the National Confederation of Labour (CNT), between February 1937 and March 1939. For me he is the Spanish Solzhenitsyn – the chronicler and indicter of one of Europe’s most enduring and bloodsoaked fascist regimes, one that killed more Spaniards than Hitler killed Germans. Guzmán’s insights and painstaking descriptions of his fellow prisoners, guards, conditions of confinement – the whole world of captivity – had me gripped all the way, from the fall of Alicante until the moment he and his comrades are delivered into the hands of the triumphalist, spiteful secret police and Falangist captors. My personal memories date from 24 years after the events described here — and are nowhere near as dramatic — but all the same I recognise each and every one of the situations and characters — oppressors and victims — and empathise with the latter every step of the way. One Day in the Life of Ivan Denisovich exposed the brutalities of Stalin’s faraway prison system, Guzmán’s The Year of Victory does the same for Franco’s ignored gulag archipelago just the other side of the Pyrenees. The pity is that this three-volume Civil War masterpiece — La muerte de la esperanza (1973); El año de la victoria (1974) and Nosotros los asesinos: memorias de la guerra de España (1976) — remains more or less unrecognised in the very country whose history, vast areas of which still remain suppressed today — albeit more subtly — he tells so movingly.