FAMILY by Pa Chin. Introduction by Olga Lang

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All that is solid melts into air, all that is holy is profaned, and man is at last compelled to face with sober senses, his real conditions of life, and his relations with his kind.
Karl Marx, Friedrich Engels: The Communist Manifesto

Modernity brought in its wake a series of civilization changing events. Social tradition, family life, government, nothing was safe from its long lumbering march over the corpses of outdated societies. Like some Darwinian experiment, whole civilizations were forced to upheave their past and redefine themselves, or face crushing colonization from countries that had already undertaken the great change. Modernity brought technology, and technology brought power. To exist in the modern world, to survive, a country needed both.

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WORDS IN THE SNOW [A FILANDÓN] by Juan Pedro Aparicio, Luis Mateo Díez, José María Merino. Translated by Simon Breden Santos. eBook £1.50 (see eBookshelf)

WordsCoversmallWORDS IN THE SNOW [A FILANDÓN] by Juan Pedro Aparicio, Luis Mateo Díez and José María Merino — 

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In the lands of León, ringed by the high sierras, the snow-capped Cantabrian mountains and the Galician Massif, in the long dark nights, villagers sit around their log fires, spinning yarns — filandónes —watching the flames gutter and dance, finding pleasure in their glow, and in the reflected warmth of each others’ company.

This “Filandón is a collection of very short stories (by Juan Pedro Aparicio, Luis Mateo Díez and José María Merino) with parallel texts in Spanish and English, a format which makes learning either language so much easier than using a dictionary every few words. The filandón is a genre reborn midway through the twentieth century and currently booming in Latin America and Spain, and known, variously, as the micro-story, min-fiction or mini-tale – no one can decide on the most appropriate term, but it is a format distinguished for its brevity, dramatic intensity, experimentation, expressive concision, capacity for suggestion and formal autonomy typical of the literary Short Story.

“This brilliant collection of short stories from three contemporary Spanish writers has thrown the rulebook of realism away. The stories are very short, sometimes only a sentence long, but there is audacity and skill in the brevity. The writers use the ancient techniques of the fable to explore themes of science fiction and also to undertake some unsettling experiments with time and death. They show what can be done in a short space of time with stories honed down to the minimum so that the economy itself becomes a delight. Fate plays its part. Questions of shifting identity are raised. Philosophical conundrums present the reader with something to puzzle over The scale is big even if the narratives are small. And let us not forget humour There is dark mordant humour throughout. Surrealism is made to seem a normal state of affairs. There are echos of Borges, Calvino and even the short stories of Gogol but this does not preclude tales of everyday humanity: we have the story of the man who mourns the loss of his favourite soup when his local restaurant closes, the fireman who rescues a young woman and then becomes dissatisfied with his own wife; the traveller who returns to an unrecognisable hometown haunted by a sense of loss at the changes. Exhilarating and disturbing, there is always a refreshing sense of playfulness as well as some unexpected twists in the tales. The authors show no inhibitions about juggling with time and with physical scale so that we can be suddenly thrown into an Alice-In-Wonderland world. And best of all, in this day and age, when we rush from task to task, the stories are short enough to be read at a bus-stop, waiting at a check-out counter or even while the bath is running.” — Pauline Melville

TIGRE JACK y otras prosas atroces José Ignacio Martín-Artajo Saracho. eBook £1.50 (see eBookshelf)

TigreJack2TIGRE JACK y otras prosas atroces por José Ignacio Martín-Artajo Saracho. 

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Tigre Jack es una de las historias más impresionantes, más alucinantes que ha producido la literatura española, cualquier literatura, en cualquier tiempo: la historia de un niño salvaje, su escapada a la selva, de su vida en la selva, de su regreso al mundo civilizado, de su tragedia. Todo ello, con con la precisión, la falta de prejuicio vivacidad que hacen que quienquiera que lea este relato se vea en dificultades para olvidar su fuerza, y su espanto, en mucho tiempo.

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